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• Photoshop Cs6 Chinese Font Download
• Download Chinese Font For Photoshop
• Download Chinese Fonts Windows 7
• Download Chinese Font For Photoshop

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Photoshop provides several options forworking with Chinese, Japanese, and Korean type. Characters in Asianfonts are often referred to as double‑byte characters.

Note:

Your operating system must support the languagesin which you wish to work. Consult your system software manufacturerfor more information.

By default, non-Chinese,Japanese, or Korean versions of Photoshop hide options for Asiantype that appear in the Character panel and Paragraph panel. Toview and set options for working with Chinese, Japanese, and Koreantype in these versions of Photoshop, you must select Show AsianText Options in the Preferences dialog box. You can also controlhow font names are displayed—in English or in the native language.

Choose Edit > Preferences >Type (Windows) or Photoshop > Preferences > Type(Mac OS).

Displays Asian font names in English.

Tony hawk wii. East Asian (Photoshop and Photoshop CS6) or Show Asian Text Options (CS5)

Displays Asian type options in the Character and Paragraph panels.

Tsume reduces the space arounda character by a specified percentage value. As a result, the characteritself is not stretched or squeezed. Instead, the space betweenthe character’s bounding box and the em box is compressed. When tsumeis added to a character, spacing around both sides of the characteris reduced by an equal percentage.

In the Character panel, enter or select a percentagefor Tsume . Thegreater the percentage, the tighter the compression between characters.At 100% (the maximum value), there is no space between the character’sbounding box and its em box.

Choose a leading option from the Paragraph panel menu.

Measures the spacing between lines of type from the top of one line to the top of the next line. When you use top‑to‑top leading, the first line of type in a paragraph is aligned flush with the top of the bounding box.

For horizontal type, measures the space between lines of type from the type baseline. When you use bottom-to-bottom leading, space appears between the first line of type and the bounding box. A check mark indicates which option is selected.

Note:

The leading option you choose does not affect the amount of leading between lines, only how the leading is measured.

Tate‑chu‑yoko (alsocalled kumimoji and renmoji) is a blockof horizontal type laid out within vertical type lines. Using tate‑chu‑yokomakes it easier to read half-width characters such as numbers, dates,and short foreign words in vertical text.

Choose Tate‑Chu‑Yoko from the Character panel menu. Acheck mark indicates that the option is turned on.

Note:

Using tate‑chu‑yoko does not prevent youfrom editing and formatting type; you can edit and apply formattingoptions to rotated characters just as you do to other characters.

Mojisoroe is the alignment of characters in Asian type. When a line of text contains different sizes of characters, you can specify how to align text to the largest characters in the line: to the top, center, or bottom of the em box (right, center, and left for vertical frames), to the roman baseline, or to the top or bottom of the ICF box (right or left for vertical frames). ICF (Ideographic Character Space) is the average height and width used by the font designer to design the ideographic characters that comprise a font.

In the Character panel menu, choose an optionfrom the Character Alignment submenu:

Aligns the small characters in a line to the large character.

Em box Top/Right, Em box Center, or Em box Bottom/Left

Aligns the small characters in a line to the specifiedposition of the large character’s em box. In vertical text frames,Em box Top/Right aligns the text to the right of the em box, andEm box Bottom/Left aligns the text to the left of the em box.

Aligns the small characters in a line to the ICF specifiedby the large characters. In vertical text frames, ICF Top/Rightaligns the text to the right of the ICF, and ICF Bottom/Left alignsthe text to the left of the ICF.

Specify left and right underliningwith Asian type

Choose either Underline Left or Underline Right fromthe Character panel menu.

Asian OpenType fonts may includea number of features that aren’t available in current PostScriptand TrueType fonts. It is usually best to use any weights of KozMinProand KozGoPro OpenType fonts. These fonts have the largest collectionof glyphs of the Asian fonts produced by Adobe.

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With the Type tool selected, do one of the following:

• On an existing type layer, select the charactersor type objects to which you want to apply the setting.

• Click on the image to create a new type layer.

In the Character panel, make sure that an Asian OpenTypePro font is selected.

From the Character panel menu, choose an OpenType option.

Turn on the MSIME (Windows) or Kotoeri (Mac OS)input method. Do one of the following:

• (Windows) From the Windows Start menu, choose Programs > Accessories > System Tools > Character Map.

• (Mac OS) From the Input pop-up menu at the right side of the menu bar, choose Show Character Viewer.

Note:

(Mac OS) If the Input menu does not display in the menu bar, choose Apple menu > System Preferences > Language & Text, then click Input Sources, and select Keyboard & Character Viewer.

• (Windows) In Character Map, select the Advanced View option, choose All from the Group By menu, and then choose Unicode for Character Set.




• (Mac OS) In the Kotoeri Character panel, select Glyph from the View menu.


A. View menu B. Font menu C. Character Information D. Insert With Font button

• (Windows) Select the character you wantto use, click Select, click Copy, and then paste it in Photoshop.

• (Mac OS) Double-click the character youwant to use to insert it into your document.

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Additional OpenType options are available,depending on the font.

Substitutes the standard glyph with the jp78‑variant glyph.

Substitutes the standard glyph with the expert-variant glyphs.

Substitutes the standard glyph with the traditional-variantglyph.

Substitutes the half-width and the full-width glyphs with theproportional glyph.

Substitutes the standard kana glyph with the horizontallyoptimized kana glyph for horizontal layout. However, the differencesare often very subtle.

Substitutes the standard proportional glyph with the italicglyph.

Mojikumi specifiesJapanese text composition for spacing of Japanese characters, romancharacters, punctuation, special characters, line start, line end,and numbers. Photoshop includes several predefined mojikumi setsbased on the Japanese Industrial Standard (JIS) X 4051‑1995.

In the Paragraph panel, choose an option fromthe Mojikumi pop‑up menu:
Turns off the use of mojikumi.
Uses half‑width spacing for punctuation.
Uses full‑width spacing for most characters except the last character in the line.


Uses full‑width spacing for most characters and the last characterin the line.
Uses full‑width spacing for all characters.

Kinsoku shori specifiesline breaks for Japanese text. Characters that cannot begin a lineor end a line are known as kinsoku characters. Photoshopincludes weak and maximum kinsoku sets based on the Japanese IndustrialStandard (JIS) X 4051‑1995. Weak kinsoku sets omit long vowel symbolsand small hiragana characters.

In the Paragraph panel, choose an optionfrom the Kinsoku Shori pop‑up menu:

Turns off the use of kinsoku shori.

Prevents the following characters from beginning or endinga line:

JIS Weak Set
Characters that can’t begin a line
Characters that can’t end a line

JIS Maximum Set
Characters that can’t begin a line
Characters that can’t end a line

Kinsoku shori or mojikumi must be selectedto use the following line-breaking options.

From the Paragraph panel menu, choose KinsokuShori Type and then choose one of the following methods:

Moves characters up to the previous line to prevent prohibited charactersfrom ending or beginning a line.

Moves characters down to the next line to prevent prohibited charactersfrom ending or beginning a line.

Always moves characters down to the next line to prevent prohibitedcharacters from ending or beginning a line. A push-in is not attempted.

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Burasagari lets single‑byteperiods, double‑byte periods, single‑byte commas, and double‑bytecommas fall outside the paragraph bounding box.

In the Paragraph panel, choose Burasagari fromthe panel menu.

Turns off hanging punctuation.

Turns on hanging punctuation without forcing ragged linesto the bounding box edge.

Forces punctuation outside the bounding box by spreading lines that end within the bounding box and end with one of the hanging characters.

Note:

The Burasagari options are not available when Kinsoku Shori is set to None.

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